Syllabus 103

I. New York

1.

Representations, Myths, Mappings & Modernism(s)
New York of the Imaginary
Poetry: the Flaneur, the New York School, the Poet as Mapmaker

Monday, January 14th
Introductions

Wednesday, January 16th
Reading:
EB White: Here is New York (excerpt)
Alfred Kazin: A Walker in the City (excerpt: “From the Subway to the Synagogue”)
Joan Didion: “Goodbye to All That”
Edward Abbey: “Manhattan Twilight, Hoboken Night”
Schulman: “People and Their Streets, Places”
Writing:
Reading Response

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Monday, January 21st
NO CLASS

[Wednesday, January 23rd]
Reading:
Colson Whitehead: Colossus of New York
Film:
Miller: The Cruise

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Monday, January 28th
Reading:
Colson Whitehead: Colossus of New York
Writing:
Reading Response

[Wednesday, January 30th ]
Reading:
Barthes: “The Eiffel Tower”

Other:
Research 1 visual artist whose work is affected by and/or raises ideas about the city & bring selected images; discuss his/her work re: urbanity & provide a brief bio (1 page)

Guest Lecturer: Dominica Paige
[Riis, Stieglitz, Steichen, Jaffe, Evans (subway series), Hine, Parks, Vanderzee, Kline, Pollack, deKooning, Hopper, Weegee, Goldin, Basquiat, Arbus, the Ashcan School, etc.]

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Monday, February 4th
Reading:
Jackson: “A Sense of Place, A Sense of Time,” “Beyond Wilderness”
deCerteau: “Spatial Practices: Walking in the City”
Lefebvre: “No Salvation away from the Centre?” “The Specificity of Cities,” “Seen From the Window”
Writing:
Reading Response

Wednesday, February 6th
Reading:
Continued

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Monday, February 11th
Film:
Midnight Cowboy
Wednesday, February 13th
Film:
Midnight Cowboy

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Monday, February 18th
Reading:
selected poetry:
Ammons: “A Poem is a Walk”
Whitman: “Crossing Brooklyn Ferry” / Lorca: “Ode to Whitman”
Poe: “The Man of the Crowd”
Hart Crane: “The Bridge”
Doty: “Broadway,” “Human Figures”
Smith: “Flowers of Manhattan,” “Summertime”
Bishop: “Letter to New York, “The Man-Moth,” “From the Country to the City”
Robert Lowell: “The Mouth of the Hudson”
Olds: “Summer Solstice, New York”
cummings: “the hours rise up”

O’Hara: “how to get there,” “meditation in an emergency,” “lines for the fortune cookie”

(Baudelaire: “Crowds,” Solitude,” “Eyes of the Poor,” “Let’s Beat Up the Poor”)
(Hass: “Berkeley Eclogue,” Sandburg: “Chicago,” Matthews: “Seattle, February,” Davis: “Thirty Years Rising,” Olds: “San Francisco,” Paz: “Return (Vuelta)”)
Writing:
Reading Response

Wednesday, February 20th
Reading:
Continued

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Monday, February 25th
Reading:
O’Hara: Lunch Poems
Writing:
Reading Response

Wednesday, February 27th
Reading:
O’Hara: Lunch Poems

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2.

Harlem Renaissance
Racialized Spaces
Dialectics of Inside/Outside
the Street as Site

Monday, March 3rd
Reading:
Larsen: Quicksand/Passing
Brierre: “Harlem”
Langston Hughes: selected poems

McKay: “The Tropics of New York”

Writing:
Reading Response

Wednesday, March 5th
Reading:
Larsen: Quicksand/Passing

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Monday, March 10th
Film:
Lee: Do The Right Thing

Wednesday, March 12th
Film:
Lee: Do The Right Thing

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SPRING BREAK
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II. Beyond New York: Other Cities

1.
Literary Modernism & Urbanism
Ethnic Identities & Spaces
London, Dublin, Paris
Nationalism / Nationalist Identities
Crowds, Neighborhoods, & the Individual
Anonymity & Exchange
Urban Spectacle
Expat Identity
Bloomsbury
Women of the Left Bank

Monday, March 24th
Reading:
Woolf: Mrs. Dalloway
Blake: “London”
Wordsworth: “Composed Upon Westminster Bridge”

Woolf: “Street Haunting” (optional)

Benstock: “women of the left bank” (optional)

Writing:
Reading Response

Wednesday, March 26th
Reading:
Woolf: Mrs. Dalloway

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Monday, March 31st
Reading:
Joyce: Dubliners
Writing:
Reading Response

Wednesday, April 2nd
Reading:
Joyce: Dubliners

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2. Venice
Gendered Spaces
Queerscapes
the City as Body & Mask
Choice & Chance

Monday, April 7th
Reading:
Buzzatti: “The Falling Girl”
*
Grosz: “Bodies-Cities”
McDowell: “In and Out of Place: Bodies and Embodiment,” “In Public: The Street and Spaces of Pleasure”
Knopp: “Sexuality and Urban Space”
*
[Wolff: “The Invisible Flaneuse – Women & the Literature of Modernity” - optional]
[Polchin: “Having Something to Wear: The Landscape of Identity on Christopher Street” - optional]
[Betsky: “Some Queer Constructs” - optional]
[Munt: “The Lesbian Flaneur” - optional]

Writing:
Reading Response

Wednesday, April 9th
Reading:
Continued
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Monday, April 14th
Reading:
Winterson: The Passion
Writing:
Reading Response

Wednesday, April 16th
Reading:
Winterson: The Passion

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3
Rio de Janeiro
Gender, Ethnicity, Class
the Street as Site
the Making of the Author/Artist

Monday, April 21st
Film:
Meirelles: City of God

Wednesday, April 23rd
Film:
Meirelles: City of God

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Monday, April 28th
Final Papers/Presentations

Wednesday, April 30th
Final Papers/Presentations

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Monday, May 5th
Final Exam

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SUMMER

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